
Jazz performers experimented with music so much that they got to sound chips of old game consoles. Having uploaded their scores to a midi editor, they inadvertently overloaded it and were transported into a virtual reality. There is no way out, but they did their best to give a scheduled concert.

The building looks like a big gramophone. Its main metaphor is Side A and Side B, the real world and the digital one, respectively. The metaphor is literally embodied through images of virtual jazzmen projected on the back of the record.
Functionally, the building is used for concerts, lectures, and jam sessions. It has a bar and a restaurant for visitors.
The owner of this building and host of This Game Sax festival has written a book. He has never done any creative work, and this is his debut.
However, the style is extremely lazy: a stenographer hastily wrote down everything that this businessman said. Hence, the text looks more like a stream of thoughts that runs through the entire Side B.
The structure of the book reflects the main metaphor. It is divided into two large parts, Side A and Side B. This division is emphasized by the titles, the inversion, different font colours and back flyleaves, and even the structure of the book.